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3D animation / stylized motion

Drawnin depth.

Illustrative instinct meets dimensional craft—light, materials and movement built to feel immediate.

01 / POINT OF VIEW
Toon shading study showing graphic light and shadow

3D gives an idea weight.
Animation gives it intent.

THE APPROACH

Not realism for realism’s sake. I use form, light and movement to create images that read instantly—and stay with you after the frame is gone.

02MATERIAL STUDYFORM MEETS FEELING

DESIGN IN MOTION

Every surface
sets a tone.

Material, color and movement work together to turn a familiar object into a graphic statement—simple in silhouette, precise in execution.

STYLE IN MOTIONSHOE STUDY / 2025
03 / COMMERCIALBAUSSE® / 2023

PLAY IS A SERIOUS TOOL

Make the brand
hard to ignore.

Character, rhythm and a visual language with enough personality to turn attention into recognition.

VERTICAL FILMBAUSSE®
04THE MOTION LABREFERENCE → REACTION

Built with logic.
Finished with instinct.

Believable movement starts with observation. The process is technical, but the final decision is always emotional: does the motion feel inevitable?

01

Research

Study physics, reference and real movement before choosing what to exaggerate.

02

Refinement

Shape poses, arcs and timing until each beat communicates with absolute clarity.

03

Polish

Test the shot in context and refine the smallest reactions that make it feel alive.

05WORLD BUILDINGWEIGHT → INTENTION

MOTION WITH PURPOSE

Physics shapes the motion.
Intention shapes the moment.

ANIMATION STUDYFORM / WEIGHT / TIMING
06FEATURED STUDYWYVERN / CGI

THREE THINGS, ALWAYS

Clear ideas.
Precise craft.
Real feeling.

  1. 01Creative excellence
  2. 02Technical precision
  3. 03Emotional connection
WYVERNANIMATION STUDY / PLAY WITH SOUND

“Animation can explain whatever the mind of man can conceive.”

— Walt Disney

Founder, The Walt Disney Company